As the
quarter comes to a close, I find myself reflecting on two important qualities
of the course content and our class discussions. First, I really enjoyed the
manner in which we started with theoretical texts and then moved into literary
texts. We studied and discussed theory on its own terms, rather than simply applying
it to fiction with the intention of utilizing fiction to confirm or demonstrate
its efficacy. In this way, the class avoided the subordination of literature’s critical
and political potential to a distinct form of intellectual discourse. For this
reason, I found one its major strengths to be the illustration of the theoretical
dimensions and potentials of fiction itself. There was, for me, something amazing
about thinking with great complexity about labor and its many diverse
racialized manifestations in a class discussion discourse that remained vernacular,
direct, and concrete. Studying theory on its own terms first made it a jumping
off point, a way to construct a grounding plane for our thought as a group,
from or on which to explore and think through race, labor, and migration in the
texts we read. But this never required speaking the language of theory, instead
allowing us to speak as ourselves. Instead of talking about how we see Marx in
the novels we read, for example, having read Marx undergirded and, in perhaps
unnoticeable or imperceptible ways, inspired our ability to think critically for
ourselves about labor when reading and discussing the course materials. The
principle lesson of this organizational approach was, for me, the importance of
the practice of observation. I gained an understanding of observation as the
starting point for all argument, instead of vice versa. An awareness of how
texts depict and argumentatively propose alternatives to the world or the
dominant narratives about the world is less about understanding philosophical
ideas and more about sensing and considering notable resonances between the
text and oneself as a reader. It comes down to what’s interesting, remarkable,
and sets your thinking in motion, and these are elements that are best rendered
by speaking about fiction in terms of its own content and logic. Personally,
this was a lesson I needed to learn.
On a different note, I gained a great deal from the
course’s multiple inroads to the questions under consideration. That is, surveying
multiple racial-ethnic contexts—African slavery in the United States, Chinese
migratory labor, (South) Asian “coolie” labor, Filipino experiences of
imperialism and migration, and the racialized experiences of Mexican and
Chicano/Chicana workers—in one course was especially productive because it dispelled
any chance of thinking about these historical/literary realities as separate
from one another. Synthesizing multiple
racial labor narratives together allowed for an incredible awareness of the
interlinked nature of racialized labor and migration in every context. Reading
similarities and differences between these phenomena—formations that have taken
shape in very different ways—allows for a well-rounded understanding of their
systemic interrelation. As a theoretical practice, I think this is the element
I will value most after taking this course, and look forward to maintaining in
my studies going forward. There is, naturally, a need for in-depth courses
emphasizing one specific context, but having a broad, comparative study of
labor literature allows analysis to perform a function that is constructively
similar to the collective and solidaristic impulse of proletarian political
thought itself.
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